Good work if you can get it
Will I ever be able to spend as much time in the streets with my camera as I’d like to? Not until I can figure out how to spend my time taking pictures instead of working for a living.
July 4th in San Francisco (in color) | 2025
I don’t shoot a lot of color these days, but when I decided to spend the day of July 4th in the streets of San Francisco with my camera, it seemed almost criminal to shoot in black and white.
Fillmore Jazz Festival 2025
Fillmore Street, live music, food and crafts vendors, and people from all over The Bay—the perfect reason to spend a few hours out with a camera.
The people in your neighborhood. Or, how I got my Leica M3
The daily email digest I get from my neighborhood Groups.io list serv is typically a pretty sleepy affair. I usually scan, delete, move on with my life.
Tokyo | 2024
Film and digital black & white photography, captured over two weeks of meandering the streets of Tokyo's vastness.
Vibe Check
Rather than attempt to untangle the layers of chaos applying constant pressure over the last couple of months—some we all feel, others are more localized to my own existence—I’ll just get straight to photos and music.
New York City | 2024
While I was shooting in Manhattan, I was convinced that I was off my game, that my efforts were wasted. But I know better—just keep shooting, focus on doing the work, and push through the doubt.
The Gift of Learning. And Santa Con.
The first time I joined a half-day workshop at Leica SF, Santa Con also happened to be going on down the street. What luck.
Music and Photos: Worlds Collide
Those of you who know me in real life might know that I play bass in ugly, grungy sounding bands with very little in the way of critical acclaim.
California Built: Sea Ranch & West Hollywood
Two sets of architectural photography in one—a home in Sea Ranch, CA, and the Rudolph M. Schindler house (the MAK Center for Architecture) in West Hollywood, CA.
